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Looking back at my film diary for I managed to watch films, that is more than an average of one film per day, not bad, could have been more. Beside films, read many books, watched every single football game of FC Barcelona, they are nothing short of watching a piece of Art in motion, but that is another story.

Beautiful film. Amour Michael Haneke, In his book, Civilization and Its Discontents , Sigmund Freud write about the three thing that mankind never could escape from; The interaction with the society we live in, the interaction with other people, and our bodies, that is; sickness, old age and death. Such style is needed for a film that take place inside a closed space of an apartment. At times, as the character leave the space, the camera stay, it is the off-screen sound that tell the viewer the present of the character within the frame.

Most of the time, we observe the wife through the subject POV of the husband, almost a Hitchockaian use of the shots; we see the husband, he looks, shot of what he see, back to his reaction, at times, his POV shot become an objective of an establishing shot, as he walk into the frame. You even have the pillow shots of Ozu, not as glamors, nor as poetic; still life shots of the interior of the apartment as transition from one sequence into another.

As for the wide shots, there are very few, but when there is one, the space is used like a theatrical stage, characters spread out in one layer, the only time there is depth within the frame is when a character move toward or away from the camera, almost back to the early day of silent filmmaking, with one different; you got dialogue, sound effect and music in Amour , masterful.

Holy Motors Leos Carax, After more than a decade since his last feature film, Carax is back stronger than ever. The film open with an audience being hypnotized, they are watching a film, cinema as a hypnotizer, the man is born out of a projector room. You even have an intermission in the middle of the film, Even music is present within its historical content, masterful build up of instrumental music from the basic.

Denis Lavant is a great actor, he act with his body, his eyes, with gestures only, a twisting in the eyes, a move of the shoulder, a perfect classic actor, very few of them around nowadays. A Masterpiece. The Deep Blue Sea Terence Davies, Ah, the good old love melodrama of the 50s is back with a touch of Davies; the overexposed lightbulb, the rainy pavement, the flashbacks, the good oldies pop music playing on the background and those characters with those lines that are only possible in the realm of the fictions, that can become laughable if it were not at the hand of masters like Sirk, Fassbinder and in the case of The Deep Blue Sea , Terence Davies.

Marvelous, in class with the classic melodramas. The intertwining of documentary, fiction and a play within a play in not something new, but to have it done in a real prison with real inmate, that is something special.

Elena Andrey Zvyagintsev, Zvyagintsev tell a story like a novelist, if he had been born centuries earlier, before the age of cinema, he could have a masterful novelist, perhaps equal in psychology to Doestvosky and in detail to Turgenev. It is a murder that arises from inner motive hidden inside her, she is not Raskolnikov, she has never imagined, nor planned to murder, it arises from a moment of passion, a split second decision that she think is an act of righteousness.

We never truly understand the protagonist in Elena , she remain a mystery, psychologically, we only understand her through her little actions; cleaning the room, cooking, watching TV, shopping, walking, taking a train, it is these little action that show her characters, same is true for the Father in The Return , and the husband in The Banishment , they are mysterious characters that we get a short glimpse of in the cinema cinema of Zvyagintsev, a world with its look dominated by the colors of blue, yellow and white, beautiful cinema.

As for The Turin Horse , I had if for more than a year, a Digital copy of the film, but I did not watch it , for I waited for a the blue-ray version of the film to appear, because it is a sin to watch Tarr film in a low quality version, or on a computer screen, you miss the beauty of it.

There is purity in the look of the film, either black, or white, with a light shade of gray. What emotion the characters lack in the film is made up for it by the music of Vig Mihaly, almost a silent film orchestral music accommodating the film.

Tarr should have been making film in the 50s and 60s, in the days when the giants of cinema made their best, he belong with them, with; Bresson, Bunuel, Ozu, Bergman, Kurosawa, Mizoguchi, Ford, Hawks, Welles, Ray, Dreyer, Antonioni, etc.

Drive Nicholas Winding, What makes Drive such a thrilling watch comes down to its smart combination of genres and styles, characters right out of American cinema of 70s, story of a loner out of European cinema of 60s, a musical soundtrack of 80, mix it with the stylish influence of Wong Kar Wai, combine all that with a tragic Greek play rather than a story, and in Drive you get a thrilling watch, despite the few flows in the film in which the violent is stretched to the limit, it is one to watch.

Another Earth Mike Cahill, Well, now you know what it is like to mash together Stanley Kubrick and Krzysztof Kieslowski, you get Another Earth , with its psychological power to grab the viewer into a tale of guilt and redemption mashed into a science-fiction genre with masterfully staged scenes that are equal in power to A Space odyssey, it has been a while that a film could move a viewer into the edge of wonder watching a scene so powerful and other worldly as the first contact scene between this Earth with Earth 2 in Another Earth , equally powerful to that of Hal in For a small budget film, produced, directed, acted, edited and shot with only a handful staff, it is a truly a wonder film to watch, emotionally powerful as it is intellectually manipulative that put to shame a million time a big-budget film like Melancholia.

Another Earth is not to be missed. A genre never die, but a great film in a genre should always reinvent itself, and it takes Reichardt to do so. Young Adult Jason Reitman, You may call Young Adult a modern day take on Don Quixote and Sancho Panza ; Quixote is a middle aged woman, Mavis Gary, Panza being a former high school friend of her, now on crutches, and Dulcinea del Toboso is her former high school boyfriend whom she now chasing.

Mavis pretend to be a successful writer, when not busy writing stories for teenagers, she is watching TV, and the television is always on some reality show on teenagers, she still live in a world of of her high school days, but her friends, and her former town passed that stage many years ago, she take a journey back to her town, to get her former boyfriend back.

She was once popular in her little town, in her high school, now living far away, in Minneapolis, she seem to belief that she is leading a fast life in a big city, think of others who are leading a normal life in her former small town as boring, she is a snob, or pretend to be one, she is all appearance, leading an empty life, even if she is a failure, she pretend otherwise, she is always faking it, never could face reality, even when in a bar, she pretend to be busy with her cellphone, typing gibberish, but deep inside, she wishes to be in their shoes.

She get ready for her date with the guy, put on her best dress, does her hair, manicure, massage, like a first date, but the guy live in a different world, after so many years, meeting again, he invite her to meet in a sport bar, he walk into the bar wearing his home dress, unshaven, sleepy, yet, she still want him, she talk to him romantically, repeat the same sentences she hear from teenager in the street. Coming from Lynne Ramsay, a former photographer, the images in films are still photographs in motion, making the film a combination a dozen or so bits and pieces of experimental filmmaking; with tomatoes and red color being the pivot between the shots, be it tomatoes, catchup, Campbell tomato soup, or egg and tomato omelet, no kidding.

It is a bizarre film on a dysfunctional family seemingly leading a normal life. The story of a woman that hate being a mother so much, that she prefer the sound of a drilling machine to that of her baby son crying, Kevin and her Mother seem to be competing as to which one of them is the most despised person in the film, like mother, like son.

An arty version of The Omen in the examination of a hate relationship between a Mother and a Son, even the society, the people surrounding the two seem more abnormal than the two, but Kevin, spoiled brat, stand up above the rest, he has to be one of the most despicable character of recent films, yet, after committing the atrocities, he comes out into the spotlight, like a rock star, a decent portrayal of a society in love with violent.

The Descendants Alexander Payne, Alexander Payne set out in The Descendants to make a film about a character who is in a coma, suffering, yet, she is the one that causes the most pain upon the others, making her the most unattractive character in the film. Unlike the many heavy handed sentimental films about the same subject, common to the genre, at the end of The Descendants , Payne arrives at creating one of the most sentimental film of the last few years, for the characters are real three dimensional figures, they all have their faults, cruelty and inner most darkest desires, shown in the most cruelest and humors ways, that reminds one of the cinema of Fellini, but at the end, when the sentimentality arrives, they do care, and we do care, and it is those sincere moments of showing of caring produce an emotional ending to a dark film of a comedy, and we, as viewer, feel it, even if its a short glimpse.

Nugent four times. Why should I kill you? Genius film. By the Law aka Po zakonu Lev Kuleshov, By the Law aka Po zakonu Lev Kuleshov, As a kid, I was madly in love with the world of Jack London, in cold winter nights, I used to read his works under a lamp or a candle light, what a great feeling it was, I must have read White Fang at least three times. The world of Jack London is exotic, but it is cold, not just the snowy landscape, but also the inner soul of his characters, he was not a writer who could write about the inner demons of his characters in such prose as Doestovsky or Turgenev, instead, he wrote naturalistically, using the landscape and the natural forces as a reflection of that souls, human struggle for survival against not only extreme natural forces, but also one another, even if escaping the law of society, man cannot escape the law of other men in condemnation, as it is in his short story, The Unexpected , in which By the Law is based upon.

What she lack in acting and dancing in the film is taken care of by the beautiful and lyrical cinematography in the film, what a beautiful film. Cinema by nature is a medium that once took its inspiration at birth from theater, the horizontal space is what most directors like to photograph and stage their mes-en scene, but in The Holy Mountain , Riefenstahl does the opposite, everything seem to be photographed and composed vertically, even the depth staging is vertically stages, Riefenstahl goes to the extreme as to mask the frame into vertical lines, that is what give the unique beauty to the film.

Not to be missed. The house, or rather, the mud house that once were, is located in the upper northern part of the Shadala village, a 45 minute care ride from the city of Suliaimani now, but in the old days, it took half a day to reach it; the house with its mud roof, gray walls and big rooms looks upon the whole village as towering figure.

The first time I visited the house was many years ago, I was a little kid of seven, I remember vividly playing Football on the roof of the house with other kids, every few minutes the ball would roll down into the ground, down into the village, across the streets, one of the us had to make the long journey of bringing the ball back.

The house belonged to kak Ahmed, he was a distance cousin of my father. It was my first visit to the house, and I remembers it very distinctly. Her son, Rejan, was of the same age as me, skinny with green eyes, he seemed fragile and pale, we became friend right away. He told me about a beehive they had, and being mischief of a boy, I wanted to see the hive, he took me to it, all the time telling me on the way not to touch it. Five minute later I was sitting on a big soft carpet, eating lunch with the family.

There were smell of freshly baked bread, goat milk and chess, sweet honey and hot tea. On the mud walls, hang three portraits; two young boys and a little girl, on the corner of the room, the mother was sewing little socks for Rejan, now and them, she would look at us with a smile. After dinner, I could not help but whisper to my Father; as to whom the people in the pictures were? They had three children, and each of them died when they reached the age of 18, a painful slow death, for the multiple transfusions needed to sustain life lead to an iron overload throughout the tissues of the body and eventual destruction of the heart and other organs.

But, they kept having children, hoping; at least one of them would be born healthy, but none were. Each month they had to have blood transfusion for the children, but even that was helpless, for by the time they reach the age of 18, they would die a slow painful death.

I felt desperate and sad, knowing that the young boy whom I had just become friend, so full of life, will die when he is 18, and no one could do anything about it. I left for America few years later, forgetting all about Rejan.

There was the same smell of freshly baked bread, goat milk and chess, sweet honey and hot tea, but yet, there was a change; beside the portrait of three children, hung a portrait of little Rejan, his death had occurred a year before. I had to walk out of the room, as I knew if I had stayed any longer, I would burst into tears.

Maybe I reminded the mother of Rojan, or maybe she knew about my grief, for as I left the room, she began to shed tears, I could hear her crying.

At dinner, I sat beside Ibrahim, despite being older than Rojan, he had outlived him, he was 23, but he already looked like an old man; his face wrinkled, yellowish, with no color in his skin, yet, he was as cheerful as Rojan, laughing all the time in a ringing voice that reminded me of Rejan. His younger sister, Sazan also looked much older than her age; she also had beautiful green eyes, just like Rejan and her mother. Each month, they both needed new blood transfusion. I looked at the mother on the corner, she was breast feeding a new baby, a new girl, kaka Ahmed kept saying that the Doctor had told them that his new girl needed no blood transfusion, was healthy to live a long life, but the doctor was not sure nor was kak Ahmed.

When we drove home this time, I did not ask my father any question, we both kept silent. There it was, little Suzan, she had the same green eyes as that of Rejan, the same cheerful smile. I took more than a dozen pictures of little Suzan, all the time a dreadful though in me kept growing, is she also sick? That evening, I went back to the house, no longer a mud house; a two story modern brick house, with all the modern convenience furniture decorating the place.

I had the burning desire to ask kak Ahmed about little Suzan, was she was sick or not? Looking at the portraits on the wall, there were now seven pictures, beside Rejan, there were also Ibrahim and Sazan and another little girl that I did not recognize. I managed to get a piece of paper from a Doctor, allowing me to get blood from the military hospital in the city, back them, the Azadi park was an Iraqi military hospital. When we got to the hospital, the place was like hell on earth, Iraqi choppers flying in and out, brining in the wounded and carrying out the dead, the road leading to the hospital was like a bloody river, red from blood of wounded and dead soldiers laying around.

I went to the head doctor in the hospital, at first he refused to give us the blood, but when he saw Rejan, his heart got soften, he took us to a refrigerated room, and gave us two bags of blood.

When he gave me the bags, I shed tears of joy, knowing my little Rejan will live another month. He was so full of life, always happy and smiling. He liked chocolate candies, and there was a shop in the village that sold it.

That is how he was; he always cared for others more than himself. I could not bear it anymore, at that second, the tragedy and the joy of life combined were too much to bear, I picked up my camera and walked out of the room; into the cold, windy, dark night, and my heart was heavy. Griffith, Ah, the face, the expression of the face is a beautiful thing, captured in time, it is the most beautiful thing in the universe.

You may say, what is expression of the face captured in time? If you ever been love, if you ever been out of love, meet the one you love most again, but unable to talk, you use expression in time in showing your emotion, you maybe be talking in language about Nuclear Physic, but your face express your emotion more than your deceiving language, as time slow down into eternity.

Ever been guilty of something and the person you talk to know your guilt, but both avoid talking about? Charles Darwin wrote a brilliant small treatment on Expression of Emotion, not just in Human, but all other creatures, it is a recommend reading; The Expression of Emotions in Man and Animals In life, those precious seconds passes in real time for an observer, stored in the subconscious, it is the task of Art to capture it, and above all the arts, it is Cinema that can capture that split second of magic of the human face so brilliantly, and no one, and I say it loudly, no one can capture that magnificent emotion like the great Japanese master, Yasujiro Ozu.

A Girl at a Window Rembrandt, Portrait of a Boy Rembrandt, There is also Painting, the master of capturing expression in time is no other than the Dutch master, Rembrandt, at times, looking at his painting, one could hear sounds, language spoken in gazes of the eyes alone, or the little twisting the lips, whispers, communicating a world full of secretes.

Then comes language, describing that magic moments in literature and poem, for poetry, Poe is the master, for he speak in images. For literature, it is no other than my favorite author, Tolstoy. The moment that always comes to my mind is from War and Peace; when Natasha meet Prince Andrew, after so many years, she meet the wounded and dying Prince Andrew; he got little tome to live, and Natasha, well, Natasha is incapable of expressing in word what her emotion express:.

She went up to him and with a swift, flexible, youthful movement dropped on her knees. Prince Andrew collected all his strength in an effort to recover his senses, he moved a little, and suddenly there was a ringing in his ears, a dimness in his eyes, and like a man plunged into water he lost consciousness.

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